The house on the corner went up for sale recently and it’s a beauty, or it was a beauty. The owners bought it a few years ago and cut down all the overgrown native plants like ginger and canna and put in a suburban garden with low shrubs and a water fountain that always seems to be in repair mode. They held an open house today and I stopped in on my way back from the hospital. It has this utter magnificence when you walk in but as you make your way to the back you see how the remodeled kitchen has also been suburbanized. It was bought prestorm during the late nineties by a dot.commer who made tons of money out west. Then he sold it to a man who bought the old Whole Foods and turned it into a grocery full of all the stuff no one around here eats, and that since has become Canseco’s.
The grocer bought the house for $750,000 and it is now selling for $1.5 million after having put $700K into it. I asked the realtor if he thought they could get that and he said, sure. Well, I hope so, is all I could say. I put almost that into the LaLa and no one thinks I’ll ever get my money out – surely my bank doesn’t.
But all that is neither here nor there, the point is this is a fabulous house with a ton of interesting history attached to it and someone is going to buy it and love it – here is the history that I’ve gathered on it for my bayou walking tour:
1347 Moss Street
Mid-19th century, possibly constructed as a residence for the attorney Christoval Morel in the late 1840’s after he purchased a large tract of land on the Bayou St. John in 1847. The house served as New Orleans’ first Fencing Club in the 1880’s and one time as a rowing club. From 1935 until her death the house served as the home of Dr. Elizabeth Wisner, an original member of the faculty and later the dean of the School of Social Work at Tulane University.
Christoval Morel’s father, Pierre L. Morel dueled under the oaks in City Park while his wife (Victorine de Armas) was pregnant with Christoval. The Duelling Oaks in City Park have seen some of the most colorful scenes in New Orleans’ history. For years sword clanged against sword and bullets streaked between the ancient trees.
An article in the Times-Democrat, March 13, 1892, said, “Blood has been shed under the old cathedral aisles of nature. Between 1834 and 1844 scarcely a day passed without duels being fought at the Oaks. Why, it would not be strange if the very violets blossomed red of this soaked grass! The lover for his mistress, the gentleman for his honor, the courtier for his King; what loyalty has not cried out in pistol shot and scratch of steel! Sometimes two or three hundred people hurried from the city to witness these human baitings. On the occasion of one duel the spectators could stand no more, drew their swords, and there was a general melee.”
In early Creole days more duels were fought in New Orleans than any other American city. Creole honor was a thing of intricate delicacy, to be offended by a word or glance. The Duelling Oaks were a favorite setting for these affaires d’honneur, with pistol, saber, or colichemarde, a long sword with a broad forte and very slender foible, a favorite duelling weapon since the seventeenth century.
Creoles were expert swordsmen and often delighted in any and every opportunity to exhibit their art. Duels were fought over real and trivial insults, were sometimes deliberately provoked by young men anxious to display their skill. A quarrel between rival lovers, a fancied slight, a political argument, a difference of opinion regarding an opera, any one of these things was ample excuse for a duel under the oaks. In his History of Louisiana, Alcee Fortier states that on one Sunday in 1839 ten duels were fought here.
In 1855 the police began to enforce the laws against duelling, but it continued surreptitiously for many years, despite frequent arrests and prosecutions. Finally, however, the law began to have some effect and there seems to have arisen a simultaneous loss of interest in the affairs. At last the time came when a man challenged to defend his honor with the sword or pistol, suffered no stigma by refusing an invitation to the Oaks. By 1890 duelling was only history.
The house is a frame one and a half story Greek Revival style structure raised off the ground on six-foot-high piles. The large half story created by the gabled roof is broken by two fine dormers on the Bayou St. John façade. The roof which extends outward to form a gallery across the bayou façade is supported by six square wooden columns resting on the brick piers below.
The entrance façade is five bays wide with the front door placed at the center. The façade is covered with ship-lap siding while ordinary weatherboards cover the solid brick exterior walls. The rear, which once contained a gallery and two cabinets, has been converted to a kitchen/den/breakfast area.
The house is very similar to raised houses in the Bayou-Lafourche area. However, by the 1840’s the traditional Creole plan with no hall had been replaced with the increasingly popular center hall plan favored by Americans. As such, this house is an important example of two different building styles.
Morel house is a New Orleans landmark.